brancusi mademoiselle pogany
weight): 40 lb. In representing its subject through highly stylized and simplified forms, the work was a significant departure from conventional portraiture. Il a fait la connaissance de cette jeune peintre, fille d'un célèbre avocat hongrois d'origine roumaine, à Montparnasse en 1910. We have identified these works in the following photos from our exhibition history. L'ensemble est posé sur le socle AM 4002-181. La Muse endormie , … All Rights Reserved. While her expression is unreadable, this is not the same as blankness: it merely invites the audience to project their own emotions onto the sculpture. Mlle. Mademoiselle Pogany is another of BrâncuÈi's better-known pieces. Already known in the United States, Brancusi found faithful collectors there over subsequent decades. C’est à la fois un artisan de haut niveau et un artiste pur. En 1912, Brancusi entreprend le portrait de Margit Pogany. La primera versión de “Mademoiselle Pogany” es esta talla de mármol, de la que Brancusi extrajo un vaciado para fundirla en bronce. The subject's head is rendered as a smooth ovoid with exaggerated, heavily stylised features: the eyes are large and almond-shaped ,the nose a smooth bridge between them. © www.ConstantinBrancusi.org 2020. If you would like to reproduce an image of a work of art in MoMA’s collection, or an image of a MoMA publication or archival material (including installation views, checklists, and press releases), please contact Art Resource (publication in North America) or Scala Archives (publication in all other geographic locations). Acquisition Legs de Constantin Brancusi, 1957. That project has concluded, and works are now being identified by MoMA staff. Sculpted in marvel with a limestone block, the work is - ostensibly - a portrait. In 1910, Brancusi met this sculpture’s subject, the landscape painter Margit Pogány (Hungarian, 1879–1964), in Paris. Secteur de collection Arts Plastiques Mlle Pogany III est la dernière version d’une série de trois marbres, suivis de leurs tirages en bronze, développée par Brancusi sur une période de vingt ans, où il s’éloigne de plus en plus de la figure initiale inspirée par le court passage du modèle. For access to motion picture film stills please contact the Film Study Center. About Constantin Brancusi: (Source: Oxford University Press) Constantin Brancusi was a french sculptor, draughtsman, painter and photographer of Romanian birth. montage: 38.1 x 31.7 cm. Les nombreuses variantes sur le thème de la tête (Une Muse, Mademoiselle Pogany, Danaïde…) montrent la place que Brancusi accordait à ce thème dans son œuvre. A larger image is unavailable for this object due to copyright, trademark or related rights. György Lázár. (You can still spend hundreds of dollars on eBay just for plaster knockoffs of the masterpiece.) At issue is an 18-inch bust that depicts a blank-eyed woman with slender hands cushioning her face in delicate repose. Object Description. Portrait de Mademoiselle Pogany Constantin Brancusi (1876-1957) est souvent vu comme le plus grand créateur de sculpture du XX°. By visiting our website or transacting with us, you agree to this. Portrait de Mademoiselle Pogany Constantin Brancusi (1876-1957) est souvent vu comme le plus grand créateur de sculpture du XX°. C’est à la fois un artisan de haut niveau et un artiste pur. All requests to license audio or video footage produced by MoMA should be addressed to Scala Archives at [email protected]. 5 3/4 × 6 1/8 × 7 3/8" (14.6 × 15.6 × 18.7 cm) Please, Bronze with black patina 17 1/4 x 8 1/2 x 12 1/2" (43.8 x 21.5 x 31.7 cm), on limestone base 5 3/4 x 6 1/8 x 7 3/8" (14.6 x 15.6 x 18.7 cm), 17 1/4 × 8 1/2 × 12 1/2" (43.8 × 21.6 × 31.8 cm) Meanwhile, critics around the world attacked the radical nature of his work. Please update your browser for the best experience. Mademoiselle Pogany - Constantin Brancusi. Mademoiselle Pogany is another of Brâncuși's better-known pieces. Il meurt en 1957. Prix et détails de la vente aux enchères de mademoiselle pogany, Sculpture-Volume de l'artiste Constantin BRANCUSI Pour accéder à toutes les fonctionnalités de ce site, vous devez activer JavaScript. In Constantin Brancusi: Maturity …Boston, showing five works including Mademoiselle Pogany, a schematized bust that would have numerous variations. This record is a work in progress. Pogany II. 43.5 × 18 × 28.5 cm (17 1/8 × 7 1/16 × 11 1/4 in.) More information is also available about the film collection and the Circulating Film and Video Library. Pogany (1912-1913), Plaster, 44 × 24.5 × 30.5 cm Exécuté vers 1925 Ils se lient aussitôt, se rencontrent souvent. Mademoiselle Pogany [I] Constantin Brancusi, French (born Romania), 1876 - 1957. Shortly after her return to Hungary, Brancusi carved a marble Mlle Pogany from memory, then made a plaster mold of the work, from which he cast four additional versions, including this one, in bronze. Il s’agit d’une œuvre tridimensionnelle en plâtre qui a été exposée à Paris, au musée national d’Art moderne du Centre Georges Pompidou. Watch the attached MoMa video about Brancusi’s Mademoiselle Pogany. If you have additional information or spotted an error, please send feedback to [email protected]. Nous possédons une photo d’elle, qui permet de réaliser à quel point le sculpteur a su capter ce qui faisait les caractéristiques du visage de son modèle. The sculpture was created in 1920 and is based on the landscape painter Margit Pogany who had requested the portrait after visiting Brancusi's studio. El único motivo para trasladar la escultura a un material menos noble fue su intención de pulirla, iniciando así sus experimentos de integración de la forma en el espacio mediante reflejos. Motion picture film stills or motion picture footage from films in MoMA’s Film Collection cannot be licensed by MoMA/Scala. If you would like to publish text from MoMA’s archival materials, please fill out this permission form and send to [email protected]. The result is alluring, enigmatic, and captivating. Les formes gracieusement restreintes de Constantin Brancusi sont reconnues comme l'un des principaux développements sculpturales du début du XXe siècle. Small wonder that even within the context of Constantin BrâncuÈi's inventive and ground-breaking career as a sculptor, Mademoiselle Pogany remains one of his best-known works. Looking at the image, we start to wonder who the real Mademoiselle Pogany was, and what character traits Constantin BrâncuÈi was attempting to capture in his sculpture of her. Brancusi est natu ralisé fran çais en 1950. Constantin Brancusi's sculpture Mademoiselle Pogany II was modeled from memory after Marit Pogany, an aspiring Hungarian painter who sat for Brancusi in Paris in 1910 and 1911. Visitors will comment on it, while members of the family will draw inspiration from it day after day. To find out more, including which third-party cookies we place and how to manage cookies, see our privacy policy. Bequest of Mrs. Mabel Hussey Degen 1954.16. Our site uses technology that is not supported by your browser, so it may not work correctly. Né en Roumanie, il se forme à l’académie d’art de Bucarest et à l’Ecole des beaux-arts de Paris, où il est l’élève de Rodin. In 2018–19, MoMA collaborated with Google Arts & Culture Lab on a project using machine learning to identify artworks in installation photos. Né en Roumanie, il se forme à l’académie d’art de Bucarest et à l’Ecole des beaux-arts de Paris, où il est l’élève de Rodin. The head rests on two hands, which are likewise so stylised that they serve merely as the impression of hands; truncated at the wrists, they resemble two tusks of ivory. The name of the statue comes from the Hungarian painter Margit Pogány, whom he had met in 1911. Large almond-shaped eyes overwhelm the oval face, and a black patina represents the hair that Tânăra i-a servit lui Brâncuși drept model în cele câteva luni cât i-a fost și iubită. Né en Roumanie, il se forme à l’académie d’art de Bucarest et à l’Ecole des beaux-arts de Paris, où il … From Art Resource, Constantin Brâncuși, Mlle. The second we glance at it, the sculpture's abstract impressions combine to form the vivid image of a woman resting her head on her hands. 1919, cast 1925. The Mlle. Artist: Constantin Brancusi, Romanian, 1876–1957. A featureless block descends from the head, to suggest the rough outline of a neck. Seven years later, Brancusi created a second version of her portrait, both in marble and, as seen here, in bronze. Citation: Armory Show postcard with reproduction of Constantin Brancusi's sculpture Portrait of Mlle Pogany, 1913. Beautiful Muse Margit Pogany, a Hungarian art student, sat for Brancusi in his Parisian studio from December 1910 to January 1911. "I posed for … For licensing motion picture film footage it is advised to apply directly to the copyright holders. Tags: Constantin Brancusi, Fine … 1980.12.16. But it is a portrait that abandons entirely any pretence to being representational. Ma dem oiselle Pogany, Constantin Brancusi, 1912-1913 (Phi lad e lphie, Museum of Art). Constantin Brâncuși (Romanian: [konstanˈtin brɨŋˈkuʃʲ] (); February 19, 1876 – March 16, 1957) was a Romanian sculptor, painter and photographer who made his career in … Brancusi strove to depict the idea or essence of things and not their literal form, and this is fully demonstrated in Mademoiselle Pogeny II. L’œuvre présentée sur la photographie est une sculpture abstraite de Constantin BRANCUSI, intitulée Mademoiselle Pogany I et réalisée en 1912-1913. Sculpted in marvel with a limestone block, the work is - ostensibly - a portrait. Mlle Pogany is a portrait of Margit Pogany, a Hungarian artist who sat for Brancusi several times in 1910 and 1911. (63.8 × 31.1 × 37.1 cm.) Brancusi’s obsession became the stuff of art world legend, and his surreal, egg-shaped Mademoiselle Pogany busts became one of the most celebrated and familiar works of 20th Century sculpture. Numele statuii provine de la pictorița maghiară Margit Pogány, pe care o cunoscuse în 1911. Other (approx. Katharine Ordway Collection. This sculpture is a portrait of Margit Pogany, a Hungarian artist who sat for Brancusi several times in 1910 and 1911 while she was in Paris studying painting. Other (bronze): 17 1/4 × 8 1/2 × 12 1/2" (43.8 × 21.6 × 31.8 cm) Constantin Brancusi Mademoiselle Pogany [I] Pardon our dust while we update this corner of the website. the mouth and ears reduced to mere vestiges, the hair left off entirely. Constantin Brancusi Romanian, 1876 ‑ 1957 Mademoiselle Pogany I, 1913 Polished bronze with black patina 25 1/8 × 12 1/4 × 14 5/8 in. Walt Kuhn, Kuhn family papers, and Armory Show records, Archives of American Art, Smithsonian Institution. Pogany series occupied Brancusi for some twenty years. Dimensions 45,5 x 23,4 x 23,4 cm (1) : H. 17,5 x diam. base: 28.58 × 24.13 × 24.13 cm (11 1/4 × 9 1/2 × 9 1/2 in.) Mlle Pogany is a portrait of Margit Pogany, a Hungarian artist who sat for Brancusi several times in 1910 and 1911. covers the top of the head and extends over the elaborate chignon at the nape of the neck. Domnișoara Pogany, cunoscută și sub numele francez Mademoiselle Pogány, este o statuie creată de Constantin Brâncuși în 1913, clasată în categoria „Tezaur” a Patrimoniului cultural național. Status: Brancusi’s groundbreaking series of portrait sculptures called Mademoiselle Pogany became an art sensation and today the sculptures are art history. Polished bronze. Mademoiselle Pogany [Brancusi] , portrait commandé par Margit Pogany et exécuté en plusieurs versions par Brancusi. So striking is the sculpture that its appeal remains even in two-dimensional reproductions. Constantin Brancusi (1876-1957) Mademoiselle Pogany II signé au crayon (verso); étiquette de galerie portant le titre et la date (dos du cadre) tirage argentique, partiellement monté sur support cartonné image/feuille: 19.6 x 13.9 cm. Shortly after her return to Hungary, Brancusi carved a marble Mlle Pogany from memory, then made a plaster mold from which he cast four additional versions, including this bronze. He carved a second version in marble in 1919 (location unknown), and a third version in marble in 1931 (Philadelphia Museum of Art). If you notice an error, please contact us at [email protected]. If you would like to reproduce text from a MoMA publication, please email [email protected]. Technique Plâtre. In 2017 alone, a bronze-cast Brancusi rendering of a woman’s disembodied head was sold at auction for $57,367,500. The mannerist forms of Mademoiselle Pogany II are at once a statement of the inherent beauty of Brancusi’s medium and a representation of female beauty. Licensing Nobody who has seen the extreme stylistation and minimalism of his 1907 sculpture The Kiss could forget its striking effect on the viewer - and that is just one of his better-known works. As with other motifs, this was a subject Brancusi would return to and rework in the years to come. And yet, for all of its minimalism, Mademoiselle Pogany remains full of life. Constantin Brancusi : la pureté dans l’abstraction. C’est à la fois un artisan de haut niveau et un artiste pur. L'emploi d'un marbre blanc légèrement veiné d'ocre ajoute à cette sensation de dépouille ment. Réalisé en 1912, le marbre du Philadelphia Museum of Art (44,50 x 15,4 cm) a été fondu en bronze en 1913 puis vendu par le modèle en 1940 au Metropolitan Museum of Art de New York. Elle expose au salon d'automne. 19 cm. But it is a portrait that abandons entirely any pretence to being representational. Miss Pogany, known in Frenc as Mademoiselle Pogany, is a sculpture created by Constantin Brancusi in 1913. ... Mademoiselle Pogany, 1912–1913 ... dénommée Margit Pogany. Portrait de Mademoiselle Pogany Constantin Brancusi (1876-1957) est souvent vu comme le plus grand créateur de sculpture du XX°. Composée de l'oeuvre "Mlle Pogany I" posée sur son socle cylindrique (1). Shortly after her return to Hungary, Brancusi carved a marble Mlle Pogany from memory, then made a plaster mold from which he cast four additional versions, including this bronze. If you place a print of Mademoiselle Pogany by Constantin Brancusi on display in your household, you can count on it bringing a touch of mystery to your home. Throughout his career, which lasted until his death in 1957, Constantin BrâncuÈi created an entire array of boldly experimental sculptures. He served as a model for a few months. By visiting our website or transacting with us, you agree to this. In representing its subject through highly stylized and simplified forms, the work departed significantly from conventional portraiture. Mademoiselle Pogany [III] Constantin Brancusi, French (born Romania), 1876 - 1957 There is a good reason why this sculpture has stood the test of time for more than a hundred years: if you purchase a print of Mademoiselle Pogany, you will be able to capture some of its eternal mystery and invention for yourself. Large almond-shaped eyes overwhelm the oval face, and a black patina represents the hair that covers the top of the head and extends over the elaborate chignon at the nape of the neck. He carved the first version of this sculpture in marble from memory in 1912, and made casts in bronze and plaster from the original. (18.1 kg), Acquired through the Lillie P. Bliss Bequest (by exchange), © Succession Brancusi - All rights reserved (ARS) 2018. Our site uses technology that is not supported by your browser, so it may not work correctly. We use our own and third-party cookies to personalize your experience and the promotions you see.
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