richard serra œuvre
Serra encourages viewers to experience the spatial and physical interplay between Fulcrum and its surrounding architecture and prompts a re-evaluation of physicality, one’s movement, and movement of others within a given built environment. Why is that? Et ce, au grand bonheur de l'équipage, car ainsi la carte semble compréhensible pour tout le monde. He identified Jasper Johns and Jackson Pollock, two very different artists, as his main inspirations. The installation was controversial from day one, largely because workers in the buildings surrounding the plaza complained that the steel wall obstructed passage through the space. He often constructs site-specific installations, made out of fiberglass, rubber, and most frequently steel on a scale that dwarfs the observer. Il a également réalisé des films. Serra continues to produce large-scale steel structures for sites throughout the world. Richard Serra (né en 1939), Slat, acier corten, 1985 L'œuvre Slat , feuille de métal en anglais, est composée de cinq plaques d’acier de 25 tonnes chacune, qui s’érigent jusqu’à 12 mètres de haut. An audio tour featuring commentary by Richard Serra about the exhibition will also be available. Si le grand sculpteur Richard Serra est principalement connu, dans son oeuvre gravé, pour d’amples formats occupés par des masses noires imposantes, il a régulièrement pratiqué aussi des formats modestes où le noir se manifeste en formes parfois courbes voire tourbillonnantes. Richard Serra, né en 1939 à San Francisco aux États-Unis, réalise depuis 1966 des sculptures avec des matériaux inhabituels. In 1981, Serra installed Tilted Arc, a 3.5-meter high arc of curved steel in the Federal Building Plaza in New York City. Il peut ainsi contrôler la couleur de ses sculptur… This work known as To Lift, made in 1967 from discarded rubber recovered from a warehouse in lower Manhattan, is a result of the rubber’s unique response to the artist’s enacting of the action verb “to lift.” As Serra later explained: “It struck me that instead of thinking what a sculpture is going to be and how you’re going to do it compositionally, what if you just enacted those verbs in relation to a material, and didn’t worry about the results?”. I try to use sculptural shapes to differentiate space.”. In 2005, the museum mounted an exhibition of more of Serra’s works, incorporating Snake into a collection entitled The Matter of Time. DailyArtMagazine.com is your daily dose of beauty and inspiration based on the genius and talent of the great artists of the past. Rather than prompting us to simply observe, Richard Serra makes us constantly renegotiate our relationship to an artwork that requires not only the artist, but also engineers, forgers, construction workers, preparators, curators, and viewers to participate. Serra applique au pinceau sur les plaques une solution qui leur donne un aspect de rouille. In fact, Serra gives a lot of importance to the formation and transformation process of materials and to the way in which these react to external conditions such as gravity or temperature. Il vit et travaille à New York et en Nouvelle-Écosse. When using steel, the scale of his works increases drastically. En 1969, Richard Serra réalise sa fameuse sculpture One Ton Prop (House of Cards), œuvre qui marque un tournant dans sa carrière. Their meaning and construction cannot be separated from their environment and cannot be experienced without walking around them. After various travels through southern Europe and northern Africa and after his first solo exhibition in Rome in 1966, he moved to New York. The inverse concept of depicting interior spaces, however, is a much more complex and intriguing phenomenon that is believed to have... Heard of Bauhaus? Serra famously issued an often-quoted statement regarding the nature of site-specific art when he said: “To remove the work is to destroy it.” Eventually, on March 15, 1989, the sculpture was dismantled by federal workers and consigned to a New York warehouse. Il met en scène le poids des lourdes plaques comme une épreuve de force dramatique imposée au fer, à l’acier, au plomb, et transpose ainsi en qualités plastiques le poids, les masses, la pesanteur et leur développement vers l'orientation, le déroulement, l'horizon. So if you find any joy and inspiration in our stories please consider a modest donation — however much you can afford, every cent counts and helps us a lot. Richard Serra, né le 2 novembre 1939 à San Francisco, est un artiste d'art contemporain américain. 1. Elle a au moins un avantage : elle me permet de m’émerveiller du regard fulgurant que portent des artistes comme Richard Serra sur la matière à partir de l’utilisation de l’acier Corten (7). The sculpture is comprised of five trapezoidal plates of weatherproof steel which lean against each other to form a self-supporting sculpture of architectural proportions. Les œuvres de Richard Serra ont souvent suscité des réactions violentes. From 1970 to the current day, Richard Serra has worked mainly with steel, a material usually associated with architecture and engineering, both disciplines to which the artist often turns to understand the origin of sculpture. The most famous of his works is definitely the Torqued Ellipse series. Located at the heart of Broadgate’s busy pedestrian realm in the City of London, the public is free to approach Fulcrum from all angles and even enter it. ed. He then studied painting at Yale University, from 1961 to 1964, completing his BFA and MFA there. Serra was exposed early to the processes of metalwork as his father worked as a pipe fitter in the shipbuilding industry. Upon realizing that most cities around the world are characterized by angled buildings, Serra burned with the desire to create a vocabulary that featured curvilinear forms. Richard Serra La matière du temps Entrez dans La matière du temps ( The Matter of Time , 1994–2005) de Richard Serra et découvrez l’œuvre d’un point de vue unique qui vous permettra d’observer l’évolution des formes sculpturales du travail de l’artiste. Richard est un artiste américain né en 1939. This fiery, 82 year old modern master has permanent installations in 14 countries, and his work feature in collections of contemporary art in most major museums. Il utilise alors une nuance d'acier résistant aux intempéries, le DIWETEN 235, qui - par un ajout de cuivre dans sa composition - vient former à la surface de la tôle une sorte de patine. L'agencement est conçu précisement. Peruvian composer and pianist. Born in 1938 in San Francisco, Richard Serra lives and works in New York and on the North Fork of Long Island. One Ton Prop (House of Cards), created in 1969, is made of four lead plates that stand vertically by their own weight, leaned against one another, like a house of cards. Connaître les techniques de bases de production de l'oeuvre. Artsy. Biographie de Richard Serra / United States / artiste masculin / Édition Limitée / Gravure / Small taille œuvre d'art / gamme de prix 10.000 - 25.000 / Systems Art / Art de processus / Minimalisme / Post-Minimalisme / Art spécifique de site / Arte povera / Artistes Américains Abstraits (AAA) / Art Interactif / … Shift is a large outdoor sculpture by American artist Richard Serra, located in King City, Ontario, Canada about 30 kilometers north of Toronto.The work was commissioned in 1970 by art collector Roger Davidson and installed on his family property. Constituée de quatre plaques de plomb de 122 cm par 122 cm, cette œuvre fondatrice a pour caractéristique majeure de voir ses éléments maintenus en équilibre par leur propre poids. After ten years (the process takes longer indoors than outdoors), when the rusting process is complete, all the pieces have a homogeneous, soft, and continuous surface. If you find any joy and inspiration in our stories, with modest donation. Pour financer ses études d’arts plastiques, il travaille dans une aciérie, ce qui aura une grande importance dans ses travaux futurs, tout comme le fait que son père ait travaillé sur des chantiers navals. Like the Greek Titan Atlas, Richard Serra is carrying the weight of the world. “How the work alters a given site is the issue,” he affirms, “not the persona of the author.”. We will treat your information with respect. Mais très vite, il se tourne vers le minimalisme et des œuvres plus ambitieuses. Richard Serra 27 mars 1999 - 17 octobre 1999 Richard Serra est l’un des plus importants sculpteurs du XXe siècle. p. 228) . Our mission is to present art history stories in the most compelling and fun way. As he began to experiment with different materials, Serra gravitated toward sculpture. Recognizable for their patina, Serra’s favorite material is rolled Cor-Ten steel with an evenly rusted surface. The works generate a dialog and redefine the architectural environment in which they are set. Please let us know all the ways you would like to hear from us: You can change your mind at any time by clicking the unsubscribe link in the footer of any email you receive from us, or by contacting us at zuzanna@dailyartmagazine.com. And to live is to believe. Richard Serra Richard Serra (né à San Francisco en 1939) est un artiste d'art contemporain américain. No?! Il expose pour la première fois à Rome en 1966 et chez Leo Castelli à New-York en 1969. As aforementioned, these materials are traditionally related to the fields of architecture and engineering. Altogether the eight sculptures generate an experience that also includes the large exhibition space in which they are shown. : Storia della musica italiana (Rome, 1959–63) [booklets to recordings] CAROLYN GIANTURCO. Le plomb, également, qu’il projette sous forme liquide dans des angles ou au pied de murs (Splashings, 1968-1970). La polémique la plus connue est celle suscitée dans les années 1980 à New York autour de sa sculpture monumentale, Tilted Arc, commandée en 1979 et inaugurée en 1981[5]. Abandonnée dans le Bronx, près d'un ancien terminal de ferry, gît dans l'herbe une immense pièce circulaire d'acier rouillé. Shifting in unexpected ways as viewers walk in and around them, these sculptures create surprising experiences of space and balance, and provoke a dizzying sensation of steel and space in motion. Valcárcel, Edgar (b Puno, 4 Dec 1932). That’s the problem: I hadn’t heard of Wiener Werkstätte either, even though they were the most fashionable and successful Viennese design brands ever. Il vit et travaille à New York et en Nouvelle-Écosse. ‘Mozart et le goût italien’, Les influences étrangères dans l’oeuvre de Mozart: Paris 1956, 117–24 . What can compare with the beauty of nature? His experience with this industrial material would have a profound influence on him after he transferred to the University of California in Santa Barbara and began to take art classes. Richard Serra, le spectateur face à l'oeuvre.pdf. A native of San Francisco, Richard Serra (born 1938) studied at Cal and worked in the steel mills of the East Bay … Richard Serra began creating these pieces in 1996 as single elliptical forms, inspired by the soaring space of the early 17th-century baroque church San Carlo Alle Quattro Fontane in Rome. Richard Serra Props : Duisburg, Wilhelm Lehmbruck Museum, Zentrum für europaïsche Skulptur, 1994 (cit. In 1983 and 1986, his work was the subject of comprehensive retrospectives at both the Centre Pompidou in Paris and the Museum of Modern Art in New York, respectively. A welder since childhood, Serra mostly works in steel, creating monumental, site-specific works that don’t simply occupy space, but radically seek to discover its essence. Another famous work of Serra’s is the monumental sculpture Snake, a trio of sinuous steel sheets creating a curving path. Il est rattaché au minimalisme et est connu pour ses sculptures en métal. It was the early 20th century when Modernism spread its wings in India. His sculptures recast Minimalism on a monumental scale. When you say Rothko, you think of large paintings of colorful rectangular form with frayed edges, horizontal, sometimes vertical as well, floating on a background of color. He has become particularly renowned for his monumental arcs, spirals, and ellipses, which engage the viewer in an altered experience of space. Band (2006) may qualify as Richard Serra's magnum opus, representing the fullest expression of the formal vocabulary proffered by his monumental steel arcs and torqued ellipses of the 1980s and 1990s. De même un séjour à Paris en 1965, où il travaille à l'Académie de la Grande Chaumière, lui permet de découvrir et d'admirer l'œuvre de Brancusi : « c'est là que s'est produit mon passage vers la sculpture ». While the physicality of space has always been one of his recurrent themes, in these works space turns into a material. This work—part of a series titled Props—shows his interest in the tension between the elements that form a sculpture. For more information about our privacy practices please visit our website. It’s not surprising that Serra’s massive forms have compelled museums to carve out spaces large enough to accommodate them. Richard Serra (born November 2, 1938) is an American artist involved in the Process Art Movement. In these works, however, I started with the void, that is, I started with space, starting from the inside towards the outside, not from outside towards the inside, to be able to find the skin.”. The pieces can no longer be considered discreet objects. Après la disparition à Madrid d'une sculpture de 38 tonnes, une autre oeuvre de Richard Serra apparaît à New-York.Nathan Kensinger, un photographe new-yorkais, publie une photo de ce qui ressemble à une sculpture de Richard Serra. Among the most formally elegant and technically complex works of Serra's oeuvre, this sculpture took him two-and-a-half years to develop. Son travail se trouve dans des collections permanentes dans des institutions comme le musée Guggenheim à Bilbao en Espagne, et le Musée d'art moderne (MoMA). In June 2005, the Guggenheim Museum Bilbao opened a permanent installation of breathtaking elliptical voids, The Matter of Time, to the public. For Serra, as he himself claims, this is the only place in the world where he could have installed them. Richard Serra livre une oeuvre fragile et monumentale à la fois. Les sculptures permettent une vision nouvelle d'un lieu et d'un espace. Puis vient l’acier. The artist developed a Verblist or a list of infinitives, such as “to spread”, “to roll”, “to lean”, “to cut” and “to fold”, which described many of the working processes that he would later use throughout his career, either with his own hands or through methods of industrial fabrication. The work disrupts our relationship to the architectural setting and offers a unique experience designed to challenge our perception of balance and gravity. They are actions materialized in sculptures. When entering the enormous room, the viewer is actually entering the sculpture. Les premières œuvres réalisées par Serra - des projections de plomb fondu sur les murs - sont directement influencées par l'expressionnisme abstrait. Each of the five steel pieces measures 14m x 4m, with a thickness of 13 cm. Après des études de littérature anglaise, il étudie les Beaux-Arts à l'université Yale entre 1961 et 1964. Dance has occupied an important aspect of Morris's oeuvre, involving the artist's creation of rudimentary, box-like props that anticipated his Minimalist objects and concern with viewer interaction.In the 1960s, the artist choreographed and performed a number of works for the New York-based collective known as the Judson Dance Theater, including Site. N° isbn 3-928762-21-4 DailyArt Magazine will use the information you provide on this form to be in touch with you and to provide you with updates, marketing and offers from our partners. No. Les jeux d'équilibre, le poids de l'acier et la hauteur des plaques créent pour le spectateur – qui peut souvent circuler entre celles-ci – un sentiment d'insécurité et de petitesse, nuancé par la beauté de la couleur de la rouille ou les perspectives offertes par les lignes courbes, élancées et pures des plaques en équilibre avec leur environnement. A public hearing in 1985 voted that the work should be moved, but Serra argued the sculpture was site-specific and could not be placed anywhere else. Le père de Richard SERRA travaillait dans un chantier naval. He lives and works in Tribeca, New York and on … Serra applique au pinceau sur les plaques une solution qui leur donne un aspect de rouille. Serra attended the University of California in Berkeley, graduating with a Bachelor in English Literature while working in steel mills to support himself financially during his studies. Serra’s San Francisco Connections. Pour financer ses études d’arts plastiques, il travaille dans une aciérie, ce qui aura une grande importance dans ses travaux futurs, tout comme … He has therefore created his eight sculptures so that they are perceived as a group, including the space in which they are situated. By clicking below, you agree that we may process your information in accordance with these terms. Le côté instable des montages est parfois majorée par la matière utilisée dans certaines œuvres, le plomb, destiné, tôt ou tard, à s'affaisser (One Ton Drop (house of cards), 1969, faite de quatre plaques de plomb en équilibre). During the early 1960s, he came into contact with Philip Guston, Robert Rauschenberg, Ad Reinhardt, Joseph Beuys, and Frank Stella. Born in 1938 in San Francisco, Richard Serra lives and works in New York and on the North Fork of Long Island. Les tôles sont laminées et la surface de la tôle doit rester libre de tout marquage, poinçonnage, ou traces de graisse, afin de conserver l'aspect le plus brut possible. The new work is part of the Monumenta contemporary art exhibition series held each year in Paris’ Grand Palais. The two tilted, snaking passages, capture a rare sense of motion and instability. Le texte intégral de l'article est ici →, Richard Serra portrayed by Oliver Mark, Siegen 2005, National Academy Museum and School (National Academy of Design), New York City, NY, US, Yale School of Art (Yale University), New Haven, CT, US, https://fr.wikipedia.org/wiki/Richard_Serra. Many of Serra’s works are exhibited in open spaces, such as parks or plazas, where the public can move around them and thus experience the pieces. Elles participent à un subtil dialogue avec leur environnement. It was made for the inauguration of, and is permanently located in, the largest gallery of the Guggenheim Museum Bilbao, the Fish Gallery. Vision très particulière clairement de cette œuvre. géographiques : nadir, pôle nord, méridien, ouest, zone torride, latitude, nord, équateur, pôle sud, équinoxe, est, zenith, longitude). Yes.Heard of Wiener Werkstätte? It includes seven monumental site-specific sculptures commissioned by the museum for its permanent collection. But it’s Richard Serra’s sculptural oeuvre that has redefined humanity’s relationship with its surroundings. Housed in a slipcase, this two-volume set documents Serra’s three concurrent 2019 New York exhibitions, which presented five new sculptures and more than twenty drawings by the artist. Son œuvre est exposée dans les principaux musées et collections du monde entier. Richard Serra Après des études de littérature anglaise, il étudie les Beaux-Arts à l’université Yale entre 1961 et 1964. “In most of the works that I did before Torques Ellipses, I formed the space with the material that I was using and I focused on the measure and positioning of the work in relation to a given context. We love art history and writing about it.
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