donald judd untitled progression
121,9 x 210,2 x 121,9 cm Court. Donald Clarence Judd (June 3, 1928 – February 12, 1994) was an American artist associated with minimalism (a term he nonetheless stridently disavowed). DSS 118 stainless steel and amber perspex, 2 examples: a) made 2 February 1968, refabricated 24 February 1971. DSS 104 galvanised iron, green lacquer on front and sides, 27 January 1967 (8 units); Summer 1972 (2 units) ; . Su obra se basa en una constante búsqueda por la autonomía y la claridad del objeto construido, resultando en una presentación artística de un espacio sin jerarquía aparente. Judd meurt le 12 février 1994 à New York à l’âge de 65 ans et ses deux résidences, New York et Marfa au Texas, proposent des expositions … Lit: Dudley Del Balso, Roberta Smith and Brydon Smith, Catalogue Raisonné of Paintings, Objects and Wood-Blocks, 1960–74, in exh. Permanent collection, the Chinati Foundation, Marfa, Texas. This was an untitled rectilinear work, cantilevered off the wall, measuring 5 3/8 × 32 5/8 × 5 1/4in., constructed from aluminium tube and painted wood. Donald Judd, 100 untitled works in mill aluminum, 1982-1986. Most consist of ten elements, although there is variation in the materials used. I’m still painting pieces … In this entry, DSS followed by a number indicates a work's number in the catalogue. 'Untitled’ 1980 (T03087) was made for Judd by Bernstein Bros., Long Island City, New York, a metalworking firm which has made objects to his specifications since 1964. Judd wanted to free himself from traditional forms of composition, and to that end he used different computational sequences to … With its compelling structural clarity and chromatic brilliance, untitled, 1987, exemplifies Donald Judd’s achievements as a colorist. Judd first used perspex (or plexiglass) for a wall unit in 1965, when he made a single wall unit in galvanized iron, with a yellow perspex bottom (DSS 73). Gallery Vedovi is pleased to announce the thematic exhibition « Donald Judd: Progressions », a show that focuses on the American sculptor’s early examples of horizontal wall progressions. The initials ‘JO’ are those of José Otero, a technician at Bernstein's who has made many of Judd's metal sculptures. [9], Sculpture series by Donald Judd, American Artist, "Go See – London: Donald Judd's 'Progressions 1960s and 1970s' at Simon Lee Gallery through January 29th 2010", "No Preservatives: Preservation, Perfection, and Patina: Eleanor Nagy Discusses Preserving Judd's Art", "Donald Judd (American, 1928 - 1994) Untitled (Progression) 1970", https://www.slam.org/collection/objects/6422/, "The Re-Restoration of Donald Judd's 'Untitled, 1965, "Untitled, Donald Judd (American, 1928-1994)", https://en.wikipedia.org/w/index.php?title=Donald_Judd_(progression_sculptures)&oldid=1012126447, Creative Commons Attribution-ShareAlike License, This page was last edited on 14 March 2021, at 19:18. Cette pièce tardive de Donald Judd répond, comme un habile dialogue, à untitled 1963. T03087 UNTITLED 1980 DSS 239 clear anodized aluminium, 15 December 1970 Judd est né à Excelsior Springs, Missouri. [2] Each work is similar in form, with Judd's choice of material varying depending on the date of production. In his work, Judd sought autonomy and clarity for the constructed object and the space created by it, ultimately achieving a rigorously democratic presentation without compositional hierarchy. DSS 140 stainless steel and green perspex, 25 September 1968 The Tate Gallery 1980-82: Illustrated Catalogue of Acquisitions, London 1984. Vertically, the stacks usually consist of 10 units, alternating … DSS 187 stainless steel and green perspex on sides and front, 10 units made 16 June 1969; refabricated with two extra units 12 December 1974 However, the number of units used in an installation is governed by the ceiling height of the exhibition space. Judd said of the piece on which this was based, which was slightly smaller than this one, “The first oval piece was painted red.
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