henrique oliveira technique
They command. They they change the boards for new ones. It is a private residency. The perfect residency! I would take them from construction sites where this plywood had been used as a fencing material. With constructions constantly taking place in his hometown of São Paolo, the most common wood used for building houses is often discarded, and left for reuse by others. The work also deals with this idea of controlling life and the impossibility of controlling life. Is this when you were invited to Paris by the SAM Art Projects? Il est notamment connu pour ses œuvres Baitogogo, Bololô ou Transarquitetônica [1]. Using a variety of recycled materials, paint, and plywood, he creates artworks that draw the observer into a … Henrique Oliveira was born in Ourinhos, Brazil in 1973. See more ideas about installation art, sculpture installation, sculpture. Born in 1973, Oliveira received his BFA and Masters in Visual Poetics from the University of São Paulo. The place that I stayed in, was amazing. They created this residency to host artists from outside the axis of Europe-USA. Henrique Oliveira is a Brazilian artist known for his incredible art wood installations made in a big scale. It’s elements are a reminder of society’s reliance on nature, and the artist’s dramatically modest approach is a comforting reminder of this. Henrique Oliveira: In the last decades our lives have become so mediated by images. In any context, the viewer can enjoy the works and then experience it’s message through experience. Oliveira is so fond of the inexpensive, eco-friendly medium that he has even named various installations after it. In Brasil they produce these wood boards in a very cheap way. Fala Pessoal, Aqui é o Henrique Oliveira! I paint in my studio in parallel with the other sculpture works and the installations. They can nd other meanings or connections. Transarquitetônica combined a variety of artistic techniques, including sculpture and painting. I am more comfortable to work in this situation. By means and form of the concept of the work, it goes back to this idea of nature. L’artiste brésilien Henrique Oliveira nous emmène dans son monde organique, où les sculptures de bois se font géantes, sans toutefois être oppressantes. Did visit the Centre of Arts and Nature before this? Bay Area transplant Kiri Picone is a writer and marketer who loves bizarre news and the color purple. Henrique Oliveira BR. It is about 2 hours away from Paris. 5 août 2015 - Découvrez le tableau "Henrique Oliveira" de véronique boutin sur Pinterest. It is a return from its urban context to generic or organic shapes. Conversation avec Henrique Oliveira, Galerie Georges-Philippe & NathalieVallois, 36, rue de Seine, 75006 Paris – FR. I’ve shown the paint- ings many times, but I don’t exhibit them as much as the installations as they are always made especially for an exhibition-basis. I did a worldwide trip for 1 year and then I went back to Sao Paolo. In the case of Palais de Tokyo, I also used some tree branches to combine with the rest of the con- struction. Join Facebook to connect with Henrique de Oliveira and others you may know. Did you see the installation at Palais de Tokyo? In this way, the work is accessible to everyone. https://allthatsinteresting.com/henrique-oliveira-installations I also work oppositely, and go to the space and see what can be done. On a quick trip to London, we met the Brasilian artist at Duke’s in Mayfair, to converse in detail about his latest outside installation at the Centre d’Arts et de Nature in France, and his celebrated installation Baitogogo at the Palais de Tokyo in Paris. They sell for collectors mainly, whereas installations are more for institutions. I don’t find tapume anywhere in the world, so I need to import it. T.+33(0)1 46 34 61 07. Connecting the visual similarity of the wood when broken to a brushstroke, Oliveira started to explore the properties of wood, and in particular, the wood of discarded tapumes. HENRIQUE OLIVEIRA | Yes quite abit. I came in January, and stayed in Paris until July. His biggest art installation has occupied the vast gallery expanse of the museum of contemporary art, University of São Paulo with ‘transarquitetônica’, his largest immersive installation to date. We look forward to visiting your installation at the Centre d’Arts et de Nature. Henrique Oliveira, Canapé, 2015, Technique mixte / Mixed media, 180 x 115 x 130 cm / 70 7/8 x 45 1/4 x 51 1/8 in. For me it also had a symbolic meaning, particularly in the structure that I recreated where I reproduced the pillars and the white beams that were corrupted by the strange nature, the idea of controlling life and the rationality and irrationality. Henrique Oliveira. Would you make art if you are sure nobody would see it? The artists stays for 6 months, and they work the whole time dedicated to the end project that is a solo show in an Institution in Paris. May 11, 2017 - Explore Alden's board "Henrique Oliveira", followed by 240 people on Pinterest. I have a sketch-book and I make sketch projects and ideas for imaginary places or generic places. His paintings, too, dictate their own unique terms of viewing. Your heritage is quite prominent in the works, incor- porating your history into the works and sharing them inter- nationally, such as by using the tapume wood. Do you think this is important for art to have some sort of affect on the viewer? Perhaps going back to its natural form also. With your work mostly site-specific, what is your process of approaching each project? My first works were first only using the colours that were found in the wood. The sculptures I do are similar to installations, but on a smaller scale, and are produced in a different way. They do a good job. Yes, but I don’t always use the tapume. I had 2 or 3 months before the Opening to start on my exhibition. I also studied abroad, studying English for 6 months in Cam- bridge. The perception of our surroundings, ourselves and society. 1,458 Followers, 3,704 Following, 1,133 Posts - See Instagram photos and videos from Henrique Oliveira (@henriqueoliveira1001) It took me 5 or 7 years to get used to Sao Paolo. Though the Brazilian artist lives and works in São Paulo, his work has crossed oceans, being displayed and installed in museums and galleries worldwide. Il étudia à l’université de Sao Polo et obtenu son diplôme en 1997. It’s an unusual description but one that makes sense when visually seen, as the artist transforms the wood he uses into a three dimensional painting. You mentioned you started working with oil and canvas. Is it im- portant for you to use recycled materials and is this a conscious philosophy in your work? I had a studio there, but later went back to Sao Paolo to start my career. Oliveira has been busy recently, with travels worldwide seeing his work created in new environments in various cities, allowing new audiences to experience their power in the flesh. We create something responding to our own demands and our own wishes and curiosities. Yes, I was at their vernissage this season in April. Built from repurposed wood called tapumes, the artwork was so immense that museum visitors could interact with the curved wood and crawl through the series of tunnels. The site-specific installations are usually temporary works. The paintings I do are more intimate in my studio. There is no information behind the works, in the sense that you don’t need to know something to understand the work. At the beginning my work was more geometric where I found I was recreating places that I had been. Slowly the side of nature came out and I got more into these organic constructions. In July I went back to Sao Paolo to stay for 2 months, then needed to go to Frankfurt for another month, then back to Sao Paolo for another month. I’m always adventurous so I agreed, but I did hate it in the beginning! Our past experiences are the stepping stones to where we are now. I wanted to create a situation that you don’t know exactly what’s nature and what’s arti cial. I ended up going to the Middle East, Egypt then Canada. I think this is an essential question. Henrique Oliveira’s artwork is unparalleled. Please tell us more about this city. Originally from a small town called Ourinhos, you currently live in Sao Paolo. In a separate project, Henrique Oliveira sought to explore other materials, particularly those that were free to acquire. Yes I never stop to do so. His large installations often occupy the vast expanse of spacious galleries. Some stirs were broken, had jagged edges and they resemble the kind of dynamics that make me think about brushstrokes. It is nice though, that each viewer can interpret it in different ways. It is multi-lingual. I recreate somehow the wood going back to it’s natural source. I had painting classes when I was 21, 22 years old. Eve- ryone can enter and enjoy, and have a reaction somehow. It’s a lovely place. Coming and going. Apr 15, 2013 - Explore karakt's board "Henrique Oliviera", followed by 123 people on Pinterest. It’s a tendency that started with the invention of photography. There is about 30,000 people living there, it feels like a little town. Maybe this is an important element to our daily lives and whatever work we are doing. Oliveira’s works do not sit, nicely displayed, in a room nor do they invite quiet contemplation. Whilst there, I had classes with another impor- tant teacher, a painter – whom I had classes with for 6 months. Primarily describing himself as a painter, Oliveira started with oil on canvas and is now additionally working with his own uniquely created style of painting, with wood. Né en 1973 à Ourinhos, SP (Brésil) Vit et travaille à São Paulo (Brésil) Œuvres; Biographie; Expositions; Conversations; Éditions; Actualités ; EXLP 18 2018 Huile sur papier mâché et grillage sur contreplaqué 100 x 75 x 24 cm. The tapume is very hard to nd outside of Brasil, used plywood you can easily nd. We are cultural beings. It depends on each case. So you’re installation at the Palais de Tokyo, was part of the Nouvelle Vague show. See more ideas about installation art, sculpture installation, sculpture art. It had been painted, so it had different aged colours. McClain Gallery. Untitled 2017 Écorce d’arbre, bois mélaminé, colle, carton 45 x 37 x 33 cm. Henrique Oliveira, à travers ces tensions, ces forces vitales, donne sans doute à voir l’illusion que la nature reprend ses droits. It is easy to see the connection, his adaptation and reuse of materials is completely original, with the pieces organically growing. It is nice to recommend artists and their works to others, but you really need to see most works in the flesh. There is a whole concept that changes with each project , even if I keep the same material and same technique, the idea is always changing, just like life. We consciously and subconsciously know that other people will see it. Profile von Personen mit dem Namen Henrique Oliveira anzeigen. I am curious to see the result of that action and what is going to happen when I create something. They burst through walls, bulge and creep into space, drip, project, grow, and otherwise overtake and overwhelm wherever they happen to be. The castle there is very beautiful, and they have surrounding houses about 400m from the Chateau which are beauti- ful. Do you continue to do so? I did another two months backpacking around Europe when I was 19. You main installation at Palais de Tokyo, Baitogogo, was quite the standout piece in the group show. Tell us more about the material you use, tapume. An image of nature, as it is not nature infact, it is only using natural materials. Voir plus d'idées sur le thème sculpture, art, installation art contemporain. My mother pushed me to finish University, and I stayed studying social communication. Cette adresse email est protégée contre les robots des spammeurs, vous devez activer Javascript pour la … Tout en rondeur, en formes, en textures et en mouvements, ses créations immenses semblent sortir de … brazilian artist henrique oliveira occupies the vast gallery expanse of the Museum of Contemporary Art, University of São Paulo with 'transarquitetônica', his … They can be installed, or uninstalled many times. In Portuguese, the word means “boarding” or “enclosure,” and often refers to the scrap wood used to create temporary scaffolding and fences at construction sites. F.+33(0)1 43 25 18 80. www.galerie-vallois.com. The work can speak to people that also don’t know about art or contemporary art. They were creating a new building for the Museum of Contemporary Art, and I was able to start working before the building was nished. While this intricate installation is one of Henrique Oliveira’s larger installations, it is very indicative of the style he’s known for: obliterating the line between man and nature and transforming ordinary spaces into organic architectural feats. In this case, I have plenty of time. Primarily describing himself as a painter, Oliveira started with oil on canvas and is now additionally working with his own uniquely created style of painting, with wood. It was a 6 month residency, to create a project and by that time the residency that was hosting me said they would prefer that I do my exhibition at the Centre des Arts et Nature the following year. It is something that doesn’t have a pur- pose in the sense of a utility, or something useful. La technique est toujours la même : du carton ordinaire, récupéré ou non, l’emballage de nos produits envoyés par Amazon, découpé minutieusement puis collé selon des gestes d’artisan. In Europe I have noticed that they don’t use materials which you can discard. Ofcourse things are changing, and more and more they are substituting this tapume for more durable materials. Source: Boulder Museum of Contemporary Art, Artist Henrique Oliveira Uses Tapumes To Create Masterpieces. Henrique Oliveira invente des formes oniriques traversées par la vie, à la façon dont le démiurge fait naître du réel ex nihilo un univers aux contours fantasmés. Henrique Oliveira est un artiste brésilien, né en 1973 à Ourinhos au Brésil. In 2013 at the Parisian gallery Palais de Tokyo, Henrique Oliveira used his signature tapumes and PVC piping to merge ordinary white posts into an intersecting, ethereal Gordian Knot. Henrique Oliveira, Desnatureza, 2011 Henrique Oliveira est un artiste plasticien née au Brésil dans la ville d’Ourinhos en 1973. Henrique Oliveira’s work crosses the genres of architecture and art, challenging perceptions and labels of sculpture and painting. You can see the bizarre work, along with some of Oliveira’s paintings, in the images below. It involves a lot of these aspects. I attend to what I am curious to. The language of Oliveira’s work is inviting, easy owing, and connecting. Il a étudié à l'université de São Paulo, dont il est sorti diplômé en 1997.Il développe depuis 2003 des sculptures de grandes tailles sur le thème du bois et du végétal. I was saying that my work has a really strong relation to nature, and this could be from my hometown where I grew up, where I was kayaking and camping. Lunches are organised every month with gallerists, collectors, curators, other artists and journalists. Baitogogo was custom made for that space. A very beautiful French studio with a glass facade.. (Laughs) Around the corner from many patisseries…. Hailing from São Paulo, Brazil, Henrique Oliveira is an award-winning artist that has exhibited his work around the world. Art in general, not just vis- ual art, music and literature for instance, they all have a purpose of complimenting the way human beings behave and need something else. They use them, but they get rotten very quickly. Triomphante, elle détruit l’urbain. Fashioned predominantly from found timbers, Henrique's complex structures imitate organic forms and biological oddities that are simultaneously alluring and repellant. Is it something we do for ourselves, but knowing that someone else will see it. Henrique Oliveira is fascinated by the interaction of man-made constructions and organic shapes. In Baitogogo, I deliberately recreated the wood going back into nature. Alors que le sculpteur enlève généralement de la matière, Eva Jospin, au contraire, en rajoute. They use plastic, metal and other materials which are reliable. Henrique Oliveira's installations to date have followed two dominant trajectories: corporeal imaginings, ... which is the result of scraping a spatula across the canvas, are techniques the artist no longer employs, thus dating the work to an earlier phase. It’s a great project, and the work to help this artist to be known in France. View the profiles of people named Henrique de Oliveira. I have always been an observer of nature. This is not just a referral to the aesthetics of his work, but the way the work is created, processed and executed. It is very good when this can happen. Yes. Whether observing his colorful paintings or walking through a larger-than-life installation, viewers are enthralled by both the immensity and the unique appearance of his paintings, sculptures and art installations. Your work unintentionally has an emo- tive repercussion on the viewer after experiencing the work. This year I have been outside of Brasil, because of this residency of 6 months. It’s an unusual description but one that makes sense when visually seen, as the artist transforms … For a recent installation in São Paulo, Henrique Olivera built a massive structural work inspired by a plant’s root system. Interestingly enough, Henrique Oliveira often uses tapumes to create many of his installations. When I was 23 I went back to my home-town and decided I was going to be a painter. When I was 16 I moved to Sao Paolo because my mother wanted me to study in a good University. Yes this Nouvelle Vague show was also in other places in Paris. Each one of them can’t go unnoticed as they are an incredible artwork to appreciate. When I moved to Sao Paolo it was a more urban life, and I started using this urban material. After 6 months, the rain and the sun damage it and it starts to fall apart. While Henrique is also well-known for his paintings, this post focuses on his incredible wooden sculptures and installations. I work with what the curator proposes – a room, or a gallery, or maybe a building outdoors. Henrique OLIVEIRA, Researcher | Cited by 547 | of Institute of Telecommunications, Lisbon (IT) | Read 34 publications | Contact Henrique OLIVEIRA What moves me, when I am creating works, is that I never think about how people will view them. Sa pratique plastique s’orienta tout d’abord vers la peinture et la sculpture puis déboucha sur l’installation. As part of the “Something from Nothing” theme, he and his group constructed a “cloud”–installed at the New Orleans Contemporary Arts Center–entirely from donated and recycled mattresses, stuffed animals and pillows. I had a similar situation when I was in the States last year, in Cleve- land. They invade. Henrique Oliveira, Canapé, 2015 Technique mixte — 180 × 115 × 130 cm Courtesy Galerie GP & N Vallois, Paris Objets de rebut, éléments naturels, dénuement des matériaux… ses créations entretiennent une relation étroite avec l’Arte Povera. He’s only about to get busier, so we took the chance to sit down and find out more about this elusive artist. Art is something that compliments the nature of the humankind. Interview Monique Kawecki | London Editor-In-Chief, Published in print issue Champ Magazine 8, Henrique Oliveira | Photograph by Norbert Muguletz, Chest of drawers, 2013 | Henrique Oliveira, Baitogogo, plywood and tree branches, 2013 | Photograph by Andre Monin, Baitogogo, plywood and tree branches, 2013 | Palais de Tokyo | Photograph by Andre Morin, Flash3, acrylic on canvas, 2011 | Henrique Oliveira, Parada dos Quasolitos, 2013 | Henrique Oliveira, Xilonoma Chamusquius, 2012 | Henrique Oliveira, Ursulinus Prolapse, 2013 | Henrique Oliveira. 2014 World Cup Controversy: Fails, Scandals and Mishaps, Barry Underwood's Magically Surreal Photography, What Stephen Hawking Thinks Threatens Humankind The Most, 27 Raw Images Of When Punk Ruled New York, Join The All That's Interesting Weekly Dispatch. During the course I studied I took some painting courses with a friend of my mothers, because I had always been into drawing. Sa technique est aussi proche de celle du jardinier qui bouture et créé des figures du végétal, Though different from his usual installations, one can easily see remnants of his personal style within the work. The surface of the material has the specific textures and memory of its previous use. The wood worked like brushstrokes. When we first saw Baitogogo, it reminded us of architecture’s reliance on nature, with the two materials of manmade pillars and natural wood juxtaposed. Prenant la forme de peintures, sculptures ou installations, l’art hybride d’Henrique Oliveira convoque à la fois l’urbanisme et le végétal, l’organique et le structurel, mais aussi l’art et la science à travers des compositions où l’inattendu génère un univers teinté de fantastique. I have done projects in the United States where I used found mattresses, rubber, metal scrap and other found objects. That is how I obtain the discarded materials. What attracted me to this material (tapumes) was that it performs like brushstrokes I am a painter, and when I was rst creating at installations that were more like a collage in texture, I was working with wood layers in a process that was very much created out of a painting procedure. How did you begin to use the tapume, and recycle this wood in your work. I use other materials too. They had 53 exhibitions, and they called all these exhibitions Nouvelle Vague. I go to Vancouver, and then to Miami soon. Everything we see, our communication, all the forces that operate in our society act through a system of pixel combination. CHAMP | You have been traveling a lot this year we have seen, especially for your work in Paris at the Palais de Tokyo and Centre d’Arts et de Nature in the Chaumont-sur-Loire. Art is part of this existence, a way of looking at the soul of the human. The relation with nature also. He received a BFA in painting in 2004 and a Masters in Visual Poetics in 2007 from the University of São Paulo, Brazil. When you physically experience it, the connection between viewer and the artwork becomes full circle. Le béton cède et craquelle sous l’évidence implacable de sa force. Initially a painter, Oliveira was inspired by an old wooden fence he saw through his window across the street from his studio in Sao Paulo. Pièce unique / Unique piece, Courtesy Galerie GP & N Vallois, Paris; Henrique Oliveira, Sans titre, 2015, Technique mixte sur papier / Mixed media on paper, 106 x 75 cm / 41 3/4 x 29 1/2 in. In the end of that year, in 1998, I went to study at the Sao Paolo University. Brazilian artist Henrique Oliveira creates immersive sculptures and installations the likes of which we've never seen. henrique oliveira is a brazilian artist best known for using tapumes, or 'fencing' in portugese, as a title for many of his large-scale installations. It has an interesting history. Henrique Oliveira - Site do Artista Henrique Oliveira - www.HenriqueOliveira.com WORKS BIOGRAPHY TEXTS EXHIBITIONS NEWS CONTACT (home) It is like a museum. In Brasil they use this material because it is very cheap. Yes, this was where we first experienced your work. I was in Paris doing a residency project, for a project at the Palais de Tokyo. Neste Canal vamos sempre fazer um bate papo falando sobre Empreendedorismo, Marketing Digital, Desenvolvimento Pessoal e muito mais. For my installation there, I had a chance to start work earlier, and I aways prefer that. The University is like a town inside Sao Paolo.
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