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12 bar blues form

Reckless Blues Bessie Smith, featuring Louis Armstrong date: 1924 style: classic or vaudevile blues form: 12-bar blues personnel: Bessie Smith, vocals; Louis Armstrong, trumpet; Fred Longshaw, reed organ Label. 0:00 Over Longshaw's organ, Armstrong plays an extended blues line, his timbre distorted by a plunger mute. “Don’t Be Cruel” by Elvis Presley presents a 12-bar blues pattern with an alteration of the final phrase (II–V–I rather than V–IV–I) in the strophes (the song is in AABA form). C7. 2. Countless songs—in many styles—are based on this structure. The 12 bar blues is a chord progression used in blues and rock music that lasts for 12 bars. 00: 59: 52. AAB Song Form - 12 Bar Blues Song Form. Place finger 1 on the root note of A on the 5th fret. To be able to improvise freely and comfortably over this progression is a real achievement. The verses didn’t seem to be matching up so I started counting the bars and discovered Cash’s version had 11 bar verses and solos, where as Cattleprod’s were 12 bars (apart from Verse 2). 12 Bar Blues Chord Chart. The Beatles used the 12 bar blues much more in their early years than in the later years. Pick a Key. Once you master the basic form of the 12 bar blues and have knowledge about the 1, 4 and 5 chords, it becomes very easy to play the blues in different keys. The 12 bar structure used in the AAB pattern is a very common structure in blues music. Here is a blues in the key of A. Here are some of my favourite online music resources: Background information 1. Introduction. These three chords, relative to the key of the song, are known as: For those who don’t know, the roman numerals represent the degree of the major scale. Harmonically the blues is very simple, with only 3 different chords that is divided over a form of 12 bars. Top. G7. The twelve-bar blues (or blues changes) is one of the most prominent chord progressions in popular music.The blues progression has a distinctive form in lyrics, phrase, chord structure, and duration.In its basic form, it is predominantly based on the I, IV, and V chords of a key. 00:00 / 00:50. A typical blues piece consists of these elements: 12 Bars (Measures) 3 Chords (1, 4 and 5) A groove that is either strait or swung (shuffle) Some UGLY faces made like you stepped in something nasty! Basic 12 Bar Blues Form. 12 bar blues is one of the most popular chord progressions and is most notably used in blues songs but, since most popular music today came from the blues, is also widely used in other genres of music. Robert Johnson - "Me and the Devil Blues" Bessie Smith - "Mean Old Bedbug Blues" I will start with a look at the basic 12-bar blues form, familiar to almost any guitarist. No barre chords needed. It has to become second nature so you don’t have to think about it. The usual 12-bar blues pattern -three different chords (I, IV and V) played over 12 bars and repeated, seemed to be shortened to 11 for the majority of the song. While most blues music follows these three rules, remember that your music can be anything you want it to be, so feel free to play around and make any changes you want. The 12 bar blues form consists of 12 bars or measures. The 12-Bar Blues Form. Columbia 14064-D; Columbia /Legacy C2K47471. The chord progression is easy for beginners because it only uses three chords, the root, the fourth, and the fifth. there are four beats in every measure or bar with each quarter note (crotchet) being equal to one beat. If you play a chordal instrument such as piano or guitar, be sure you can comp through this and play all of the chords. Give valuable feedback to the author. The ease of learning and convenient key transposition is the main reason why the blues are a staple at jam sessions. A7. View offer. When you play a blues on a gig you literally play the form. Grab that old guitar and strum an A chord. Introduction: More Blues Tricks and Keys; The Notorious Key Of E; Mixing In Chords With The Blues Riff; Another Cool Variation Of The Blues Riff ; Play the 12 Bar Form with the New Blues Riff; Conclusion: Take Your Time!

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